Ugh, my head hurts...
May. 30th, 2008 11:54 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
ladyofthethreadFinished my bows so I’ll put up a progress pic. The bows are graduated sizes and I took a picture of them on top of the new dress fabric I got. The petticoat is just cotton so I’ll make a second one with netting to go under it later. It has such a huge hem that the ruffles at the bottom took about 3 yards of fabric.
Since there’s only 3 weeks left to AnimeNext, I’m trying to figure out what to bring. I know I’ll have Cecelia so I can do YGO with![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
novaraven sometime Saturday. And I’ll have the newest D so we can do PSOH sometime over the weekend, too. By the way, is anyone else still doing Petshop for Next? Was wondering mostly so we can plan a time.
And I’m not sure what else I’ll have. Considering Sarah so I can do Kaleido Star withneoangelwink but I’m a little hesitant now with the fur hood on that costume. ^_^;; Not sure if I’ll end up remaking Youka’s obi in time and it can’t be worn again until I do that. Maybe, I could bring out one of my older Ds? The peacock dress hasn’t been out for nearly a year. Or formal Terra since I haven’t worn that for a year either?
And finally getting around to writing about this…
Saw the “Sunday in the Park with George” revival last week. For those not familiar with it, it was composed by Stephen Sondheim (who also composed Sweeney Todd) and it’s about pointillist painter Georges Seurat and his creation of the famous painting, “A Sunday Afternoon on the Island of La Grande Jatte.” I’d already seen the DVD of the original Broadway production and thought it would be nice to see on stage.
I found the scenic/lighting design to be the most interesting thing. The walls around the stage were all white and the backdrop of the park in the painting was actually created by projecting the images onto the walls, starting with black and white when the artist is just beginning to sketch and progressing to color later. The projections would change, too, as George made changes to the painting.
Slightly disappointing was the fact that they just used the lights to create a silhouette of Dot during the title song. The effect in the original Broadway version was much cooler. There, the bustled Victorian dress that Dot was wearing opened up by itself. Then, she stepped out and danced around in corset, pantaloons, and bustle during the song while the empty dress closed back up and stood on its own!
Since there’s only 3 weeks left to AnimeNext, I’m trying to figure out what to bring. I know I’ll have Cecelia so I can do YGO with
novaraven sometime Saturday. And I’ll have the newest D so we can do PSOH sometime over the weekend, too. By the way, is anyone else still doing Petshop for Next? Was wondering mostly so we can plan a time. And I’m not sure what else I’ll have. Considering Sarah so I can do Kaleido Star with
neoangelwink but I’m a little hesitant now with the fur hood on that costume. ^_^;; Not sure if I’ll end up remaking Youka’s obi in time and it can’t be worn again until I do that. Maybe, I could bring out one of my older Ds? The peacock dress hasn’t been out for nearly a year. Or formal Terra since I haven’t worn that for a year either? And finally getting around to writing about this…
Saw the “Sunday in the Park with George” revival last week. For those not familiar with it, it was composed by Stephen Sondheim (who also composed Sweeney Todd) and it’s about pointillist painter Georges Seurat and his creation of the famous painting, “A Sunday Afternoon on the Island of La Grande Jatte.” I’d already seen the DVD of the original Broadway production and thought it would be nice to see on stage.
I found the scenic/lighting design to be the most interesting thing. The walls around the stage were all white and the backdrop of the park in the painting was actually created by projecting the images onto the walls, starting with black and white when the artist is just beginning to sketch and progressing to color later. The projections would change, too, as George made changes to the painting.
Slightly disappointing was the fact that they just used the lights to create a silhouette of Dot during the title song. The effect in the original Broadway version was much cooler. There, the bustled Victorian dress that Dot was wearing opened up by itself. Then, she stepped out and danced around in corset, pantaloons, and bustle during the song while the empty dress closed back up and stood on its own!
